Inadequacy
Concepts like art and life should be mixed with each other because there is no need for maintaining a separation between the work of humans and human. Art is life (creative energy - sexual), who said that? The most fascinating art is one is about life, that unravels various experiences, specifics, https://anotepad.com/notes/xxy5yrrj questions, and points of view.

When it comes to life, it is essential to disbelieve the notion of a perfectionism that can be achieved (in order to respond to expectations of this sort The only art we can refer to is that of the cinema). Failure is the hallmark of being Human, the stumbling block upon which we've all fallen at one time or another: impulsive judgement, impulsiveness, fear, anger, the incessant need for control and security, wrong choices. Do you think you've not made any of these errors?

Open: a new perspective to view the world from
When we fall, we injure ourselves more or less and tend to look at the cause of our fall, and to think that the error was a mistake because of the expectations we have of ourselves and others. The injury is actually the point from which we discover the truth. It is from here that we stop taking refuge in the false notion of perfect (which if it were such should not hurt) and take a look at what is broken: we look through it and then look at ourselves.

Fontana cut with the awareness the possibility of opening up, breaking or and tearing since destruction is often the most creative action, and particularly in a society where, from an early age, we are immersed in a deeply ingrained model of belief and values. It is no coincidence that Fontana stated in 1963 in the course of an interview Nerio Minuzzo that:

"The people who criticize me have often criticized me, but I have never thought about it. I went ahead anyway and never accepted any kind of salute. Over the years, I was called 'the one that has the holes', with some pity even. But today I see that my holes and cuts have created a taste that is accepted, and they even find practical applications. In theatres and bars, they make ceilings with holes. Because today, you see that even people on the street understand the new forms. It is the artists that are the ones who know less '.

When Fontana speaks of streetspeople, he is evoking the idea of imperfection where the form of the hole is like any other that the emergence of life can be seen. He is not afraid of dust nor the brutality of his creative work and throws tar at the sculpture of a man and calls the sculpture "Black Man".

Years later, the cut is transformed into the conquest of space, as a triumph of sculpture and painting through a new spatiality that combines both the break with verticality in favour of a crossing passage.

This palpitation, inhaling and exhaling of the canvas is , from afar, reminiscent in a more philosophical and bourgeois version of the work Gina Pane would later perform on her skin. The gesture is nevertheless the eternal protagonist in that context where art is bound to be destroyed; the cuts and wounds are border, path and exchange. The artist herself opens the canvas in two and declares it to be finite. the holes transform into black holes that give an illusion of depth. They also reveal the vastness that we never know.

Wait: new things we do not yet know
Fontana called the cuts "Waits," the gaps from which new and different things arise that we do not yet know.

When we commit mistakes, and end up hurting or causing harm to someone else injuring or hurting another, we need to wait for a time before the reaction. The first reaction is the shock of the mistake and the failure to be overcome, and then figuring out what steps to take to compensate or get away with it; then we wait for the consequences of that break or error, which could be a brand innovative and valuable resource. But it's not.

Many people do not understand (and understand) this philosophy , as they are constantly judging what reality and the human condition are, in addition, affixed to the two-dimensionality of the canvas. We keep fighting with all of our might the correct practices, the right way to appear and be in society, so much so that we resort to rules that eventually define the concept of normativity.

There is nothing more absurd than this. We are convinced that we know everything, we apply our yardstick to every organism and ecosystem on the planet However, we see it from a narrow , biased perspective which has nothing to do with reality: Anthropocentrism as well as personal interpretations of the other which are rarely the right ones.

Accept that there is no absolute perfection.
The same is true of the society that demands us to be the best at all cost, but without pondering the fact that, instead of improving standards, we could learn to be more accepting of what is, just the way it is. Do we accept pain? Do we accept death? Accept body parts? Do we accept diversity? And, most importantly, once we accept, do we honor our diversity?

Very often no, we resort to invisibilising what does not coincide with the "perfect" nature of our very own planet or the universe. We are feel angry, shocked, and disgusted, pushed away, swept under the carpet, and so we manifest the very imperfection that we really are, but refuse to accept.

Being aware of one's limits is essential as is recognizing the interconnectedness of everything that is the global system. Either we are ALL placed in a position where we can give our best or there is no incentive or competition worth the effort to be put into it, unless for the goal of creating inequalities. It's great and great that some people after much effort have made it, just like the ones who are lucky. However, in a larger context, always pushing the boundaries just a bit further it's a perfection' in an 'imperfect setting; there is no 'Perfection' in the absolutist sense.

Could this ever exist?

Cut Let the truth come out
We can say that Fontana was a tinkerer, as right from the beginning, Fontana resisted the straightforward routes to success, and opted instead to explore the unknown and unpredictability, which is to say: abandoning the pretense of being the only, he followed the path of study which led him to discover some truths.

For me, and in my personal opinion, Fontana is the one who cuts the veil and allows the light in, even though the black sails are obscured behind the cuts. An artist of spatial art as well as one of the pioneers of the art that is understood not solely as a work, but as a gesture, an act, in and around it. as a consequence of action in space, and performance as the activation of a narrative, of which much is practised today.

For me, his cuts are a great example of this, opening up new perspectives to art, new points of view about the world, as well as new questions. The wound that he has caused is not just pain, the wound reveals the fragility, mortality, and fragility. The wound makes us think and makes us think how we can improve our lives, and this practice is very important to ensure that we remain on the ground. While it can be difficult to endure and as hard as it would be in a perfect narrative of existence it would be wonderful (and appropriate) to gain knowledge only through positive reinforcements, as long we as a species are unable to avoid one another's pain as as our own, we're stuck in the unsolved, and unfulfilled reality.

So let's enjoy the cinema and the happy endings it brings, its beauty and perfection that is taken for granted , and that we mistakenly end up taking as a model of life, because the visual arts, however are the product of pain, and every artist, in order to convey a bit of truth, must pass through the wound.